You can clearly see the kabachi worn under the kaftan. I put one photo of a kabachi in my previous post.
The embroidery is usually of one or both of two kinds, the first is a design executed in Holbein or outline stitch in black, after which areas are filled in with slant stitch, usually in red. The other is embroidery executed in darning, brick or counted satin stitch, mostly in red or black. Or both kinds may be combined in the same piece. Here is an example of the first kind.
Notice the motif of the 8 pointed star. This is a very widespread motif, being found in folk embroideries of Norway and Palestine and many places in between. I myself grew up thinking it was a specifically Ukrainian motif.
Here is a photograph of an unfinished piece, with the outline stitch in place, but the filling not yet done.
You will notice the diamond shaped intrusion of a different design and stitch on the bottom of the composition. This seems to be very common, here is another example. I do not know if there is any significance to this; if someone out there is more familiar with Udmurt Embroidery, please feel free to inform me.
The repetitive chevrons on this piece remind me of the dresses embroidered in Palestine.
There are some kabachi that do not follow this type of composition, like this one.
this is a more unusual one. By the way, some of my sources insist on translating the name of this garment as 'chemisette'. When doing research in texts that are translated into English, one has to be very careful about taking translations literally. Do not assume that what they mean is the same as how you understand the word.
The shoes shown in the illustrations at top are woven out of birchbark, and are called Lapty in Russian, Lychaky in Ukrainian, and Koot in Udmurt. these are often translated as 'sandals' as are similar shoes resembling moccasins made of leather by peasants all over Europe. But the word 'sandal' conjures up a very wrong image. So be careful. Here is one executed completely in Darning stitch. Notice that this technique
does not include outlining the design.
There is a large admixture of black in this one, as also in the following one.
Notice that this one also has a horizontal design at the bottom, as do a couple of the previous ones.
I will finish with one last example.
I guess this was a lazy posting, but there is not much to say about these except to look at them and be inspired to go out and make one's own composition. I could not possibly get across the amazing artistry of folk embroidery except by showing images.
As always, thank you for reading, i hope you are inspired to go out and make something,
not from a 'project' where someone gives you step-by-step instructions on how to make something which they have already made. But to take old ideas and techniques and the universal human trait of creativity,
and make a new contribution. None of these embroiderers whose work i have shown today copied any of the others' design exactly.
I am always open to suggestions as to subjects to write about. If, for example one of you would like to find out the folk costume or embroidery style of a precise region, please let me know. If it is within Europe or the former Soviet Union, i have a good chance of being able to answer.
Feel free to contact me with requests for research. I hope to eventually cover all of Europe and the Former Russian Empire/Soviet Union. I also gratefully accept tips on source materials which i may not have. I also accept commissions to research/design, sew, and/or embroider costumes or other items for groups or individuals. I also choreograph and teach folk dance.